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In Seeing Red, three elements run parallel, overlap, diverge, lock horns and in various other ways give voice to the notion that a color, a melody, or a person has multiple characteristics that cannot be grasped by, or understood within, a simple framework. One element is purely visual. One is very verbal and minimally visual. One is purely musical. So is red the color of a fire truck or a ruby, of rust or a
rose, of blood or a brick? "Su Friedrich once again stands out from the crowd. Despite her quarter-century’s experience in making intensely self-revelatory, formally complex films, nothing less than a professional crisis drove her to start a video diary [and] she has mulled over her pained monologues until they have taken on a musical form...Sometimes bracingly expressive, sometimes serenely beautiful, the outdoor images interrupt and tease, echo and comment upon Ms. Friedrich’s bedroom outpourings, putting them into their artistic place…" Selected Film Festival Screenings: |



